SKU: 16152297121
can you buy an extra base for evenflo shyft dualride

can you buy an extra base for evenflo shyft dualride Evenflo Shyft DualRide Accessory Base

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can you buy an extra base for evenflo shyft dualride Evenflo Shyft DualRide Accessory BaseOur Evenflo Shyft DualRide Accessory Base pairs exclusively with the Shyft DualRide Infant Car Seat Stroller Combo. Its designed with convenience in mind for on the go parents or additional caregivers. With the introduction of the Accessory Base, the need to move the original base between cars is eliminated. Transfers from vehicle to vehicle are made easier, more convenient and will save parents both time and effort. The Shyft DualRide Accessory Base

Our Evenflo® Shyft™ DualRide™ Accessory Base pairs exclusively with the Shyft™ DualRide™ Infant Car Seat Stroller Combo. It’s designed with convenience in mind for on-the-go parents or additional caregivers. With the introduction of the Accessory Base, the need to move the original base between cars is eliminated. Transfers from vehicle to vehicle are made easier, more convenient and will save parents both time and effort. The Shyft DualRide Accessory Base meets the same high safety standards as the original base, ensuring consistent protection for your child across vehicles. The Accessory Base is fully compatible with your Shyft DualRide and allows for two different in-car use cases: wheels on or wheels off. For families using multiple cars or for extra caregivers, the Accessory Base provides a cost-effective solution. Install with the vehicle seat belt and our LockStrong™ belt tensioning system for solid, secure installation in no time

At Evenflo, we go above and beyond government standards to create car seats that are safe. The Evenflo Shyft DualRide Accessory Base meets or exceeds all applicable federal safety standards. In addition to federally required testing, it is structural integrity tested, rollover tested and temperature tested.

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SKU: 16152297121

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4.4 ★★★★★
Based on 17 reviews
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Product Reviews
M
Max
Whiting, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
Waukegan, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Waukegan, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Alexandria, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
New York, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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