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Description
peg perego car seat nido Peg Perego Primo Viaggio Nido Infant Car SeatMade in Italy. From their first ride home, little one will be completely protected in their own personal "Nest" of comfort. The Primo Viaggio Nido K features two core elements that offer protections in different ways: The premium base with Load Leg and built in Anti Rebound Bar act together to reduce rotation caused by an accident by 50%, the new Kinetic pods offer enhanced side impact protection. The Load Leg can be adjusted up to 10 different
Made in Italy. From their first ride home, little one will be completely protected in their own personal "Nest" of comfort. The Primo Viaggio Nido K features two core elements that offer protections in different ways:
- The premium base with Load Leg and built-in Anti-Rebound Bar act together to reduce rotation caused by an accident by 50%, the new Kinetic pods offer enhanced side impact protection. The Load Leg can be adjusted up to 10 different positions and is able to be folded under the base when not in use. An Energy Management Foot at the bottom of the Load Leg activates during a crash by crumpling and absorbing energy away from the baby.
- An extendable Pagoda Hood offers near complete coverage, shielding baby from the elements. There is a mesh side netting for ventilation, keeping airflow circulating. The fabric of the hood is UPF 50+, helping to keep harmful ultraviolet rays away from baby. The Primo Viaggio Nido K includes a Dual Stage Cushion System, specifically designed to grow with baby. Stage 1 supports a newborn's neck and bottom. The Stage 2 cushion has been enlarged to provide not only increased protection, but more comfort. The headrest can be adjusted up to six different positions with no re-threading required, even while infant is in the seat.
- Made In Italy. SIP headrest easily adjusts to 6 different positions with no re-threading even with the infant in the seat, ensuring the best and safest fit. Energy absorbing EPS foam throughout shell and head panel protects the infant's head and torso from impact forces. New kinetic pods help to move the force away from baby in case of a side collision.
- Load Leg can be adjusted 10 different positions and has an Energy Management Foot that absorbs energy by crumpling upon impact. Built-in anti-rebound bar attached to base provides superior protection in case of collision.
- Extendable Pagoda Hood has an easy to use zipper allows hood to extend forward, completely protecting baby from the elements. The hood is UPF 50+. 100% FIRE RETARDANT FREE- Free of harmful chemicals, the breathable Fresco Jersey fabric is naturally Fire Retardant.
- Dual Stage Cushions. Stage 1 for infants 4 lbs and up offers extra support on newborn's neck and bottom. Stage 2 correctly supports growing baby. Both help to keep baby's head properly positioned and are made of Fresco Jersey soft and breathable fabric
- A European belt path and innovative handlebar belt path allows for easy installation without the base, also allowing the handle to act as a anti rebound bar ; For babies 4 to 30 lbs. and up to 32” tall.
Dimensions: 17" x 26" x 24"
Maxium Weight: 30 lbs
Maxium Height: 32"
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4.0 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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