SKU: 23736757160
green ceramic flower pot

green ceramic flower pot Vintage Midcentury Green Pottery Planter

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Description

green ceramic flower pot Vintage Midcentury Green Pottery Planter{HISTORY} Back in the mid 20th century, when you wanted to pot your herbs, or overwinter your favorite summer flower, or start a succulent garden for your sunny kitchen window sill, you reached for this green pottery planter. Oblong in shape, it's known as the window sill design since it is long and narrow and fits easily on most standard window sills. Unmarked by maker, it's thick walled and heavy, possibly made by McCoy or Hull or Brush, and

{HISTORY}

Back in the mid-20th century, when you wanted to pot your herbs, or overwinter your favorite summer flower, or start a succulent garden for your sunny kitchen window sill, you reached for this green pottery planter. 

Oblong in shape, it's known as the window sill design since it is long and narrow and fits easily on most standard window sills. Unmarked by maker, it's thick-walled and heavy, possibly made by McCoy or Hull or Brush, and features an array of green shades highlighting a dramatic design of interesting lines and elongated triangles. 

The beauty of this shape and size (10" inches x 4" inches" is that you can fit quite a few small pots inside - up to four 2" inch pots if you like to keep things linear and still have a little extra room to grow (think herbs, bulbs or micro greens) or up to eight mini pots (think succulents, cactus or aloe) full of plants that don't mind cozying up to another. 

Similar to the changing colors in sea or lake water, when the sun catches the shiny glaze, all the colors of the planter really shine. Even though the overall color palette is a neutral mossy green, shades of avocado, seafoam, mustard, mint, and pine retreat and come forth as the natural light changes throughout the day. 

Between the textured pattern and the array of colors this is quite an interesting little art piece as much as a functional planter. It also happens to be a playground for your gardening imagination, and might just be the salve to get you through the fall and winter months while you wait to greet your outdoor garden in spring once again. 

{SPECIAL FEATURES}

  • Unique design
  • Unmarked as to maker or manufacturer
  • Contains several shades of green

{CONDITION}

In lovely vintage condition. This planter is clean and bright both inside and out. the glaze is shiny and reflective and there are no chips or cracks, with the exception of one 1/4" inch crack at the corner of one foot. Due to the placement and color palette, this small crack is barely noticeable and does not affect the planter's function in any way. Please see photos. 

{SIZE}

Measures 10" inches (length) x 4.5" inches (width) x 3.25" inches (height) and weighs just a smidge under 2 lbs. 


 

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SKU: 23736757160

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4.4 ★★★★★
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Trendy Chic
Louisville, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Pawtucket, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Omaha, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Natrona Heights, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Battle Creek, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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