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Description
evenflo pivot stroller weight Pivot Xplore All-Terrain Stroller WagonFor those looking for a secure second seat to add to their Evenflo Pivot Xplore All Terrain Stroller Wagon, this additional seat is the perfect solution that keeps your little one closer to an elevated level while still leaving plenty of room for a second rider below. For a child up to 55 lbs., this second seat provides more flexibility to your existing Pivot Xplore by offering a modular design that can be parent facing or forward facing and allows
For those looking for a secure second seat to add to their Evenflo® Pivot Xplore™ All-Terrain Stroller Wagon, this additional seat is the perfect solution that keeps your little one closer to an elevated level while still leaving plenty of room for a second rider below. For a child up to 55 lbs., this second seat provides more flexibility to your existing Pivot Xplore by offering a modular design that can be parent-facing or forward-facing and allows your baby to rest in a reclined position. Whether you want to push or pull the Pivot Xplore, just flip the handle without even removing the second seat.
Built for convenience, comfort and safety, the second seat includes the necessary adapters, as well as a back-rider child tray with cup holder for an on-the-go snack station within reach. The two-position recline and adjustable footrest combined with an easy access in-seat child pocket means your child will be set for the ride ahead. Five-position harness with comfort covers, and a removable bumper bar because safety is a priority. And, the large canopy with UPF 50+ sun protection includes a mesh peek-a-boo panel for ventilation and quick checks. The Pivot Xplore Stroller Wagon Second Seat is safe, durable, and rigorously tested to hold up against frequent use.
- VERSATILE MODULAR SEAT: With two kids in tow, the versatile second seat fits perfectly on the Evenflo® Pivot Xplore™ All-Terrain Stroller Wagon. It accommodates a child up to 55 lb at a secure, elevated level closer to you while still leaving plenty of room for a second rider below. Push or pull the Pivot Xplore with a flip of the handle without removing the second seat.
- PROTECTION WHEN YOU NEED IT: Large canopy with UPF 50+ sun protection, and a mesh peek-a-boo panel for ventilation and quick checks.
- MULTI-POSITION RECLINE: The two-position recline and adjustable footrest is comfortable for babies who need a rest.
- SNACK & GO: The included back-rider child tray with cup holder provides a snack station for the rider below while the second seat is in place.
- STORAGE: An easy access in-seat child pocket means your child will be set for the ride ahead.
- SAFETY IS A PRIORITY: Five-position harness with comfort covers, and a removable bumper bar. It’s a safe, durable, and rigorously tested seat that will hold up against frequent use
Specifications:
- Wagon weight: 34.7 lbs
- Age/Weight Capacity: 6 months to 55 lbs/seat
- Open (in): 39 H x 27 W x 45 D
- Folded: 37.5 H x 27.5 W x 23 D
- What's Included: Xplore stroller wagon, Second seat, Cup holders, snack tray
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4.1 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014