SKU: 49455212607
imperial red philodendron plant

imperial red philodendron plant 40

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Description

imperial red philodendron plant 40Philodendron Imperial Red is a bold and dramatic self heading hybrid admired for its deep burgundy foliage, glossy texture, and regal tropical form. A member of the Araceae family, this variety was bred for its strong colour, upright growth, and exceptional adaptability a hybrid that perfectly combines elegance with easy maintenance. The large, elliptical leaves emerge in vibrant shades of bright red or copper, gradually maturing into rich burgundy

Philodendron ‘Imperial Red’ is a bold and dramatic self-heading hybrid admired for its deep burgundy foliage, glossy texture, and regal tropical form. A member of the Araceae family, this variety was bred for its strong colour, upright growth, and exceptional adaptability — a hybrid that perfectly combines elegance with easy maintenance.

The large, elliptical leaves emerge in vibrant shades of bright red or copper, gradually maturing into rich burgundy-green tones that deepen with age. Each leaf is thick, leathery, and polished to a natural shine, arranged symmetrically in a rosette-like pattern around a sturdy central stem. Compact and sculptural, Philodendron ‘Imperial Red’ remains tidy as it grows, making it ideal for both home and office spaces where bold colour and structure are desired.

Sophisticated, resilient, and endlessly striking, Philodendron ‘Imperial Red’ brings a sense of power and tropical warmth to any curated plant collection.


Philodendron ‘Imperial Red’ – Care Guide

Light

Thrives in bright, indirect light, which enhances its rich red and burgundy tones. It will tolerate moderate light, but lower light may lead to greener leaves. Avoid direct sunlight, which can scorch the glossy surface and fade the foliage.

Watering

Keep the soil lightly moist but never waterlogged. Water when the top 3–4 cm of soil feels dry to the touch. Overwatering can lead to root rot, while underwatering may cause drooping or brown leaf edges. In winter, reduce watering slightly while maintaining humidity.

Temperature and Humidity

  • Temperature: Prefers warmth between 20–30 °C; avoid temperatures below 16 °C and sudden temperature changes.

  • Humidity: Enjoys moderate to high humidity (50–70%). Occasional misting or a humidifier will maintain lush, glossy leaves and healthy growth.

Soil and Potting

Use a rich, airy aroid mix, such as compost blended with orchid bark, perlite, and coco coir. This provides good aeration while retaining gentle moisture. Repot every 1–2 years in spring to refresh the soil and support new root growth.

Feeding

Feed every 4–6 weeks during spring and summer with a diluted, balanced fertiliser formulated for foliage plants. Over-fertilising may lead to leaf burn or salt build-up, so feed lightly and consistently. Suspend feeding in autumn and winter.

Pruning and Maintenance

Prune older or yellowing leaves at the base to maintain the plant’s form and stimulate fresh growth. Wipe leaves regularly with a soft, damp cloth to remove dust and enhance their natural shine. Rotate the plant occasionally for even light exposure and symmetrical growth.

Growth and Maturity

A moderate grower, Philodendron ‘Imperial Red’ typically reaches 60–90 cm in height and width indoors. Over time, it forms a dense, upright rosette of overlapping leaves that radiate outward, creating a bold, structured display. Mature plants often develop deeper, richer hues, especially under bright, indirect light.

Common Issues

  • Yellowing leaves: Overwatering or compacted soil.

  • Brown edges: Low humidity or inconsistent watering.

  • Dull colour: Insufficient light.

  • Pests: Occasionally thrips or mealybugs; treat promptly with neem oil or insecticidal soap.


Background and Benefits

Developed through hybridisation of tropical Philodendron species native to South America, Philodendron ‘Imperial Red’ was bred for its compact growth, intense colouration, and adaptability to indoor environments. It belongs to the same hybrid group as ‘Imperial Green’ and ‘Congo Rojo’, sharing their self-heading growth habit and resilience.

Like all Philodendrons, it is also a powerful natural air purifier, filtering toxins such as formaldehyde and benzene from indoor air. Its bold red foliage symbolises vitality, confidence, and renewal, making it not just a decorative feature but a mood-lifting focal point in any interior.


Quick Care Summary

Light: Bright, indirect light; tolerates moderate light
Water: Keep soil evenly moist; allow top 3–4 cm to dry before watering
Temperature: 20–30 °C; avoid below 16 °C
Humidity: Moderate to high (50–70%)
Soil: Rich, well-draining aroid mix – compost, bark, perlite, coco coir
Feed: Every 4–6 weeks in spring/summer
Growth: Upright, self-heading habit, 60–90 cm; glossy red leaves maturing to deep burgundy-green

⚠️ Toxicity note: Contains calcium oxalate crystals and is toxic if ingested. Keep away from pets and children.


Styling Tip

Display Philodendron ‘Imperial Red’ in a matte black, terracotta, or white ceramic planter to complement its rich foliage tones. Its upright structure makes it a natural centrepiece for bright living rooms, office corners, or entryways. Pair it with lighter tropicals like Aglaonema ‘White Joy’ or silver-toned species such as Scindapsus treubii ‘Moonlight’ for visual balance. With its deep red hues and polished leaves, this plant adds warmth, texture, and a refined tropical statement to any space.

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    SKU: 49455212607

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    4.1 ★★★★★
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    Tahoeman
    New York, US
    ★★★★★ 5
    Much needed guide to narration in law practice
    Format: Paperback
    Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 10, 2014
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    David R. Papke
    Boise, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
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    DoubtfulReader
    New York, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
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    Matt M.
    Battle Creek, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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    Reviewed in the United States on January 19, 2021
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    J. Christian
    Bozeman, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014

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