SKU: 54237644827
philodendron campii croat

philodendron campii croat Philodendron Campii — Rare Wavy Foliage

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Description

philodendron campii croat Philodendron Campii — Rare Wavy FoliageElongated leaves with wavy edges Rare collectors variety Bright indirect light Moderate watering H40 cm Pot 14 cm The Philodendron Campii is a rare and sought after variety, native to the tropical forests of South America, where it climbs trunks in humid understories. Its elongated leaves with wavy edges give it a graphic and sophisticated texture that few Philodendrons match. Discover it among our selection of collector plants. Its elongated leaves

🌿 Elongated leaves with wavy edges • 🌺 Rare collector’s variety • ☀️ Bright indirect light • 💧 Moderate watering • 📏 H40 cm | Pot Ø14 cm

The Philodendron Campii is a rare and sought-after variety, native to the tropical forests of South America, where it climbs trunks in humid understories. Its elongated leaves with wavy edges give it a graphic and sophisticated texture that few Philodendrons match. Discover it among our selection of collector plants.

Its elongated leaves with wavy edges give it a graphic and sophisticated texture that few Philodendrons match — a common question when choosing between Philodendron and Monstera for a tropical interior.

Which Philodendron variety to choose?

The Philodendron genus offers an immense diversity of shapes, colors, and textures — all varieties in the catalog are available in the Philodendron collection. Here’s how the Philodendron Campii stands out from the rest:

  • Philodendron Campii (this plant) — elongated leaves with wavy edges, unique graphic texture, climbing habit, rare collector’s variety.
  • Philodendron Pedatum — deeply cut leaves, XXL climbing habit, spectacular and airy silhouette.
  • Philodendron Birkin — dark green leaves striped with white, compact and graphic habit.
  • Philodendron Melanochrysum — dark green velvety leaves with light veins, climbing habit, large size.
  • Philodendron Billietiae — elongated leaves with orange petioles, climbing habit, rare variety.
  • Philodendron Micans — velvety bronze-green leaves, trailing or climbing habit, very easy to care for.
  • Philodendron Scandens — bright green heart-shaped leaves, trailing or climbing habit, ideal for beginners.

Exposure & placement

Philodendron Campii enjoys bright indirect light. It tolerates partial shade but its wavy foliage develops better with good brightness — in too dark a spot, the leaves lose definition and growth slows significantly. The balance of light and humidity is key to maintaining dense, well-formed foliage.

  • Light: bright indirect light — avoid direct sun that burns the leaves.
  • Location: desk, shelf, living room — near a window without direct exposure.
  • Temperature: 18–27 °C, without sudden changes or drafts.
  • Substrate: light, rich, and well-drained — universal potting soil with perlite.

Philodendron Campii is a climbing plant — set up a stake or support to encourage the development of larger, more wavy leaves over time.

Watering & care

Philodendron Campii likes a slightly moist but never soggy substrate. Let the top 3 to 5 centimeters dry out between waterings — overwatering is the main cause of leaf yellowing in Philodendrons.

  • Frequency: once a week in spring and summer, every 2 weeks in winter.
  • Humidity: ideally 60–70% — mist occasionally or group with other plants.
  • Fertilizer: once a month in spring and summer, diluted liquid fertilizer for green plants.
  • Cleaning: gently wipe the leaves with a damp cloth to preserve their shine.

Leaves yellowing at the base almost always indicate overwatering — let the soil dry out more between waterings and check that the pot drains well.

Decor ideas & plant pairings

The wavy, graphic texture of the Philodendron Campii makes it an effective accent plant — it effortlessly draws the eye in a plant arrangement or alone on a shelf.

  • On a desk or shelf, place it in the Gabriel ochre ceramic Ø14 cm — the warmth of the matte ochre highlights the green tones of the wavy foliage and grounds the arrangement in a natural, cozy style.
  • For a tropical arrangement, pair it with a trailing Philodendron Micans — the velvety bronze of the Micans contrasts with the smooth wavy texture of the Campii, two opposite silhouettes in the same plant family.
  • In a bright living room, place it near a Monstera deliciosa — the large perforated leaves of the Monstera and the fine wavy foliage of the Campii create a very effective tropical texture contrast.
  • Alone on a low piece of furniture, place it in the Gabriel Bordeaux ceramic pot Ø14 cm — the deep Bordeaux highlights the intense green of the foliage and gives the Campii the accent plant status it deserves.

Verdeia tips

  • Install a stake now: the Campii is a climber — the earlier you install support, the more the leaves develop in size and waviness as the plant climbs.
  • Wipe leaves once a month: dust clogs stomata and dulls the shine of the wavy foliage — a damp cloth is enough to maintain their brightness and improve photosynthesis.
  • Space out watering in winter: the Philodendron enters dormancy between October and February — reduce watering to once every 2 weeks and stop fertilizing until spring.

Technical characteristics

  • Botanical name: Philodendron campii
  • Common name: Philodendron Campii
  • Origin: tropical forests of South America
  • Dimensions at delivery: H40 cm | Pot Ø14 cm
  • Exposure: bright indirect light, partial shade
  • Watering: moderate — allow the top 3–5 cm to dry out between waterings
  • Humidity: 60–70 %
  • Temperature: 18–27 °C
  • Substrate acidity: slightly acidic (pH 6.0–6.5)
  • Care: easy
  • Toxicity for pets: toxic to cats and dogs
  • Decorative style: Rare / Wavy / Graphic

Each plant is unique: the photos show an example of its appearance. The wavy shape of the leaves and the density of the foliage naturally vary depending on age and light.

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SKU: 54237644827

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Tahoeman
Lexington, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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David R. Papke
Carnegie, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Massapequa, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Dallas, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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