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Description
summer infant safety bed rail Advwin Folding Baby Bed Rail Adjustable 180x60cmBed rail is designed for simple assembly, fitting securely under the mattress with the included anchor system. Set up in minutes and easily adjust or remove when necessaryperfect for busy parents or travel use. Ensure your childs safety and your peace of mind with ADVWIN foldable U shaped toddler bed rail. Designed for secure under mattress support, it offers unmatched stability during sleep. The breathable mesh panel keeps your child visible and
Bed rail is designed for simple assembly, fitting securely under the mattress with the included anchor system. Set up in minutes and easily adjust or remove when necessary—perfect for busy parents or travel use.
Ensure your child’s safety and your peace of mind with ADVWIN foldable U-shaped toddler bed rail. Designed for secure under-mattress support, it offers unmatched stability during sleep. The breathable mesh panel keeps your child visible and comfortable, while the smooth swing-down function allows easy access for parents.
Whether at home or traveling, this bed rail is the perfect transition aid from crib to bed. Soft, safe, and space-saving, it’s every parent’s trusted helper for worry-free nights.
Features:
- Upgraded U-Shaped Design: Toddler bed rail features a reinforced U-shaped frame that slides securely underneath the mattress, offering exceptional stability without damaging your bed base. The U-shape holds firmly in place—even during active sleep movements, giving parents peace of mind throughout the night.
- Foldable Design: With a swing-down function, the bed rail can be folded easily with one hand, making it convenient for parents to lift or place their child in bed. The smooth folding mechanism is ideal for daily use and ensures the rail won’t get in the way when not needed.
- Child-Friendly: Crafted with a breathable mesh panel and high-quality steel frame, this rail combines safety and comfort. The mesh allows for better airflow and visibility, so you can check on your child at a glance. The fabric is soft, skin-friendly, and easy to remove and clean.
- Fit for Various Bed Types: Measuring long enough to protect toddlers from falling, bed rail is compatible with most bed types, including twin, full, queen, and king-size beds. Whether you’re using a platform bed or box spring, it’s a versatile safety solution for toddlers transitioning from a crib to a big-kid bed.
- Easy Installation: Bed rail is designed for simple assembly, fitting securely under the mattress with the included anchor system. Set up in minutes and easily adjust or remove when necessary—perfect for busy parents or travel use.
Secifications:
Material: Metal + Breathable Mesh + Oxford Fabric
Color: White + Grey
Overall size (when fully extended): 180 × 60cm (L x H)
Suitable for mattresses with a thickness of 10-27 cm
Recommended Age: 18 months to 5 years
Product Weight:3.12kg
Package content:
Bed Rail*1
Manual*1
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4.9 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
.
"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
.
"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020