SKU: 57652015916
philodendron white knight scientific name

philodendron white knight scientific name Philodendron 'White Knight' – Foliage Factory

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Description

philodendron white knight scientific name Philodendron 'White Knight' – Foliage FactoryPhilodendron 'White Knight' Philodendron 'White Knight' is a white variegated Philodendron with deep burgundy to reddish stems and green leaves marked with cream white sectors, flecks and patches. The dark stems make the pale leaf sections stand out clearly and give the plant its strong green white and burgundy contrast. The plant forms a climbing stem with aerial roots and firm petioles. Young plants can stay fairly tight in the pot, while larger

Philodendron 'White Knight'

Philodendron 'White Knight' is a white-variegated Philodendron with deep burgundy to reddish stems and green leaves marked with cream-white sectors, flecks and patches. The dark stems make the pale leaf sections stand out clearly and give the plant its strong green-white-and-burgundy contrast.

The plant forms a climbing stem with aerial roots and firm petioles. Young plants can stay fairly tight in the pot, while larger plants are easier to manage on a pole, plank or trellis.

  • Stem colour: Burgundy to dark red stems and petioles.
  • Leaf pattern: Green leaves with cream-white flecks, patches or larger sectors.
  • Growth habit: Climbing Philodendron that benefits from support as it matures.
  • Pot growth: Best in a breathable substrate with steady warmth and good drainage.

Dark stems and cream-white variegation

Philodendron 'White Knight' is part of the white-variegated climbing Philodendron group in cultivation. It prefers warmth, filtered light and an open, moisture-retentive root mix.

Philodendron 'White Knight' carries burgundy to dark red stems with green leaves marked by cream-white variegation.

Care for Philodendron 'White Knight'

  • Light: Place in bright indirect light. Direct sun can mark the white leaf sections.
  • Substrate: Use a chunky aroid mix with bark, mineral components and some moisture retention.
  • Watering: Water when the upper substrate has dried and the pot feels lighter. Do not let the whole mix stay wet for long periods.
  • Support: Add a pole or board while the stem is still easy to guide.
  • Temperature: Keep above 18 °C and avoid cold windowsills when the substrate is damp.
  • Humidity: Moderate humidity helps new leaves open cleanly; airflow keeps soft new growth healthier.
  • Feeding: Use diluted balanced fertiliser during active growth, then reduce feeding when growth slows.

Leaf and stem problems to catch early

  • Crisp white patches: Check for direct sun, dry air or repeated drying between waterings.
  • Yellow lower leaves: Several yellow leaves at once usually point to wet roots, low temperature or poor drainage.
  • Small new leaves: Check light, roots and support. Larger growth is easier to maintain when the stem is guided upward.
  • Weak all-white shoots: Prune back to a node with enough green tissue if the plant keeps producing leaves with too little chlorophyll.
  • Pest marks on new growth: Fine speckling, distorted leaves or dark marks can indicate thrips or mites. Inspect early and isolate if needed.

Philodendron 'White Knight' can be propagated from stem cuttings with at least one healthy node. Cuttings with balanced green-and-white tissue are usually stronger than pieces carrying only very pale growth.

Safety for homes with pets

Keep Philodendron 'White Knight' away from pets and small children. Its tissues contain insoluble calcium oxalate crystals, which can cause mouth and throat irritation if eaten. Wear gloves if your skin reacts easily to fresh aroid sap.

Philodendron name and stem colour

Philodendron is part of Araceae, the aroid family. The genus name combines Greek roots for “loving” and “tree”, referring to the climbing habit common in the genus. Philodendron 'White Knight' has burgundy to dark red stems and petioles with cream-white variegated leaves.

Philodendron 'White Knight' combines dark burgundy-red stems with cream-white leaf sectors on green climbing growth.

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SKU: 57652015916

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4.3 ★★★★★
Based on 9 reviews
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M
Max
Draper, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Dallas, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Alexandria, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Alexandria, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Los Angeles, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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