SKU: 58044788915
deer food plot herbicides

deer food plot herbicides Plotsaver Liquid Repellent

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Description

deer food plot herbicides Plotsaver Liquid RepellentPlotsaver Liquid Repellent & Ribbon System Natural Perimeter Protection for Deer, Elk & Moose Protect your hard work from hungry wildlifesafely and effectively. When planting a food plot, agricultural crop, or reforestation project, you invest time, effort, and resources into making it grow. The Plotsaver system helps protect that investment with a natural, proven barrier that large animals wont cross. Plotsaver uses a combination of scent based

 

Plotsaver® Liquid Repellent & Ribbon System – Natural Perimeter Protection for Deer, Elk & Moose

Protect your hard work from hungry wildlife—safely and effectively.
When planting a food plot, agricultural crop, or reforestation project, you invest time, effort, and resources into making it grow. The Plotsaver® system helps protect that investment with a natural, proven barrier that large animals won’t cross.

Plotsaver uses a combination of scent-based deterrent and visual cue to create a multi-sensory barrier—keeping deer, moose, and elk out without chemicals, electric fencing, or high-cost systems.


How It Works

The Plotsaver® Liquid Repellent, made with essential oils like mint and rosemary, is applied directly to the white barrier ribbon to form an invisible “fence” animals won’t challenge.

  • 🌿 Plant-powered and chemical-free

  • 🛡️ Creates a physical and sensory deterrent

  • 🔁 Can be reused season after season

  • 💧 Works rain or shine – effective for 30 days per application


Easy to Install

  1. String Plotsaver ribbon around your plot at 30" height

  2. Use stakes spaced 30'–33' apart

  3. Spray or sponge on the repellent evenly across the ribbon

  4. Make sure your perimeter is fully enclosed

  5. Reapply every 30 days to maintain effectiveness

Ribbon can be removed and stored once the plot matures. Overspray won’t affect performance.


Application & Coverage

Apply at a rate of 3,960 linear feet per quart of product.

Available Sizes Coverage (Approx.)
Quart (32 oz) 3,960 linear feet
1 Gallon 15,840 linear feet
2.5 Gallon 39,600 linear feet
5 Gallon 79,200 linear feet
55 Gallon 871,200 linear feet
250 Gallon 3,300,000 linear feet

Use Plotsaver To Protect:

  • Food plots

  • Garden beds

  • Reforestation zones

  • Young tree plantings

  • Agricultural or research sites


Why Choose Plotsaver?

  • Repels deer, elk & moose

  • Safe around people, pets & edible crops (when used as directed)

  • Odor-free after drying

  • Cost-effective alternative to fencing

  • Works with your own posts or our fiberglass stakes


Simple, Effective Wildlife Exclusion

Whether you're a hunter planting a food plot, a land manager protecting reforestation, or a grower securing crops, Plotsaver® gives you the control you need—without fencing, chemicals, or complexity.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 58044788915

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4.0 ★★★★★
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Product Reviews
T
Verified Purchase
Tahoeman
Whiting, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Louisville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Draper, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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