SKU: 59513378743
grey plant pots plastic

grey plant pots plastic Tall Plastic Plant Pot with Insert, Grey Beton-Effect 18/25L Pot – Cherish Home

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Description

grey plant pots plastic Tall Plastic Plant Pot with Insert, Grey Beton-Effect 18/25L Pot – Cherish HomeRammento 44cm Tall Plastic Plant Pot with Insert, Grey Beton Effect Key Features: Sleek grey beton effect finish for a modern look UV, frost & weather resistant plastic for durability The removable insert provides an 18L capacity 25L capacity without the insert for larger plantings Lightweight and easy to move Suitable for flowers, shrubs, bonsai, and small trees Suitable for indoor and outdoor use This weather resistant plant pot is designed for both

Rammento 44cm Tall Plastic Plant Pot with Insert, Grey Beton-Effect

Key Features:

  • Sleek grey beton-effect finish for a modern look
  • UV, frost & weather-resistant plastic for durability
  • The removable insert provides an 18L capacity
  • 25L capacity without the insert for larger plantings
  • Lightweight and easy to move
  • Suitable for flowers, shrubs, bonsai, and small trees
  • Suitable for indoor and outdoor use

This weather-resistant plant pot is designed for both indoor and outdoor use. The UV, frost, and weather-resistant plastic ensures durability against the elements, making it suitable for year-round placement in gardens, patios, and balconies.

The removable insert provides an 18L capacity, allowing for easy planting and improved drainage. Without the insert, the pot expands to a 25L capacity, making it suitable for larger plants, including small trees, rosebushes, flowers, and bonsai. The lightweight design makes it easy to move and reposition as needed.

The grey marble-effect finish adds a decorative touch while complementing various styles of home and garden decor. The pot is easy to clean and requires minimal maintenance, making it a practical choice for plant care.

Specification:

  • Material: UV-resistant plastic
  • Colour: Beton-Effect Grey
  • Dimensions: Height: 44cm/17.32", Diameter: 34.5cm/13.58"
  • Capacity: 18L (with insert), 25L (without insert)
  • Weight:1.45kg

Includes:

  • 1x Plant Pot
  • 1x Removable Insert

Designed for both function and style, this plant pot offers a practical solution for growing a variety of plants while ensuring long-lasting durability.

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SKU: 59513378743

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4.7 ★★★★★
Based on 28 reviews
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Product Reviews
M
Max
San Leandro, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Louisville, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Lowell, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Birmingham, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Lexington, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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