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Description
uppababy mesa v2 infant car sea UPPAbaby Mesa V2 Infant Car Seat + Base – Kids Bedroom GalleryWe designed the Mesa V2 with intuitive innovations you can see and features that remove the guesswork. The Mesa V2 maximizes ease to minimize error, which allows parents to move forward with confidence and security. Protection From All Sides: The adjustable headrest is reinforced with EPP foam to help absorb energy while the integrated design of our Side Impact Protection keeps babys head protected during a collision. Additionally, the 4th rebound
We designed the Mesa V2 with intuitive innovations you can see and features that remove the guesswork. The Mesa V2 maximizes ease to minimize error, which allows parents to move forward with confidence and security.
- Protection From All Sides: The adjustable headrest is reinforced with EPP foam to help absorb energy while the integrated design of our Side Impact Protection keeps baby’s head protected during a collision. Additionally, the 4th rebound carry handle position allows for increased safety and aids in absorbing rebound forces.
- Install In Seconds: We make installation quick and simple by combining our innovative SmartSecure® system, auto-retracting LATCH design, red to green tightness indicator, and four-position adjustable foot.
- European Routing: Provides a safe and secure carrier-only installation when the use of a base isn’t convenient. The belt path easily secures the carrier at three points of contact to reduce movement.
- Fire Retardant Free Fabrics: The Mesa V2 is made with fabric that is free from fire retardant chemicals for all fashions and textiles, including the large UPF 25+ hideaway Canopy. It is also GREENGUARD® Gold Certified to support healthier air quality and low chemical emissions.
- Robust Infant Insert Included: The removable infant insert is designed to provide better fit and body positioning for babies approximately 4 – 11 lbs.
- Buckle Up with Confidence: Our simple one-crotch buckle position and no-rethread, adjustable harness makes buckling up a breeze.
- UPF 25+ Hideaway Canopy: The extra-large integrated, extendable canopy provides more protection outside and conveniently tucks away when not in use.
- Convenient Release Button: A quick press of the button on the top of the carrier handle releases it from the frame so you can go from stroller to car in one seamless motion. Additionally, the convenient, reversible option allows baby to face you while strolling, or you can turn the carrier to pull right up to a table for mealtime.
- Performance Travel System: For the ultimate in portability and safety, Mesa V2 directly attaches to both the Vista® and Cruz® strollers. It is even compatible with the Minu® and Ridge® with the addition of convenient adapters. This creates a stylish and simple solution that goes from drive to stroll.
- Complimentary Consultations: Schedule a one-on-one virtual consultation with a Certified Technician from the UPPAbaby website for product support, car seat checks, or service appointments
Specifications
- Approximately 0–1 years
- Suitable 4-35 lbs and up to 32″ in height (whichever comes first)
- Car Seat dimensions: 17″W x 25.8″L x 23″H
- Car Seat on base dimensions: 17″W x 28″L x 25″H
- Car Seat base-only dimensions: 14.5″W x 21.3″L x 10.3″H
- Car seat weight: 9.9 lbs
- Base weight: 9 lbs
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4.7 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017