SKU: 68329937633
murakami monsterized

murakami monsterized Takashi Murakami - Unfamiliar People

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murakami monsterized Takashi Murakami - Unfamiliar PeoplePublished by Yale University Press Hardcover, 144 pages, 120 color illustrations 8 x 12 in Edited by Laura W. Allen Contributions by Hiroko Ikegami, Masako Shiba and Takashi Murakami ISBN: 9780300273182 From the publisher: This fresh look at artist Takashi Murakami takes on the monstrous themes of rampant consumerism, human fallibility, and the perils of life in the digital fast lane, in works from the past decade One of Japans leading contemporary

Published by Yale University Press 
Hardcover, 144 pages, 120 color illustrations 
8 x 12 in
Edited by Laura W. Allen
Contributions by Hiroko Ikegami, Masako Shiba and Takashi Murakami
ISBN: 9780300273182

From the publisher:
This fresh look at artist Takashi Murakami takes on the “monstrous” themes of rampant consumerism, human fallibility, and the perils of life in the digital fast lane, in works from the past decade
 
One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and manga.
 
But beyond the happy flowers and kawaii characters that have defined Murakami’s career lurk darker manifestations: the sharp-toothed, multi-eyed monsters that have increasingly become the artist’s vehicle for expressing the effects of rampant consumerism, human fallibility, and the perils of life in the digital fast lane. This book explores these themes in works from the last decade, presenting a disquieting vision of monsterized beings born in an era of unprecedented environmental, political, and social turmoil.
 
Conversations with Murakami and essays by Laura W. Allen, Hiroko Ikegami, and Masako Shiba deconstruct what monsters mean to the artist and reflect on new directions in Murakami’s sculpture and the genesis of his recent NFT projects. The book features lavish color illustrations, a plastic jacket, dyed edges, and four gatefolds.
 
Published in association with the Asian Art Museum of San Francisco

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SKU: 68329937633

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Jcjxjdicjz
New York, US
★★★★★ 5
This is my Superman
Format: Paperback
Before super villains came along, Superman fought corrupt businessmen and world leaders. In this volume, you get stories like Superman trapping a wealthy mine owner in his own mine so he can feel what it’s like for his exploited workers (as I type that, I thought of a great parallel that might get this review removed haha), forced warring leaders to settle their differences in person, and destroyed a ghetto to get the government to pay to give the poor people modern housing (today our government would just leave them homeless but I digress) At some point in this volume, you get the first supervillain and it gradually goes away from this great Superman at that point but this Superman is my Superman, rough scripting/art and all
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Reviewed in the United States on April 8, 2021
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Amazon Customer
Houston, US
★★★★★ 5
Superman: The Golden Age: Volume 1 Review
Format: Paperback
If you’re a fan of, or are interested in the Golden Age of comics, this book is for you. This is really the mainstream beginning of superhero comics. Before everything became mired in continuity, there were one-shot stories that were fun, and often dark. I definitely also recommend this for people who want to get into Superman as a character. For the price, the amount of content you get just can’t be beat.
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Reviewed in the United States on January 31, 2020
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C. T. Dixon
Fort Morgan, US
★★★★★ 5
This is a Superman I can believe in
Format: Paperback
This is the original Superman, the one who made the character a hit. His powers have limits - a fire threatens his life! - and he uses them for the little guy, against social injustice. One of the best stories, from Action #5, has Supes fighting a breaking dam and flood, but mostly he's fighting human crookedness - crooked lobbyists, crooked football coaches, crooked mine owners, crooked taxi rackets. This Superman is a law unto himself, dependent on nothing but his strength and his personal sense of right. He's a lot more like Samson in that way than he's a Christ figure, and the result is stories in which he lightheartedly smashes slums so the government will have to build decent housing for the poor, smashes cars of reckless drivers, smashes an oil well to bankrupt the crooked promoters. Private property means nothing to him. Neither do legal rights. He's not here to fight for law and order, he's here to fight for justice as he sees it. The police? the government? They're feckless at best, and more often they're part of the problem. There's a strong Progressive sensibility here: if institutions don't benefit the people, the people need to take charge and change things. That's the Superman we see here, and it's the Superman I like best - the original Superman with brute vigor, a passion for justice with no subtlety, and no taking himself too seriously. It's not art, but it's what made comic books. And it still stands up.
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Reviewed in the United States on February 16, 2014
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Kid Kyoto
Lexington, US
★★★★★ 5
Where it all began
Format: Paperback
Superman was a hit almost from day one, selling not only millions of comics but quickly went on to star in radio shows, movie serials, TV shows, cartoons, movies and every other media under the sun. And it all starts here. This volume reprints the very first Superman stories from 1938 - the Superman chapters from Action Comics 1-13, the New York World's Fair special and Superman #1, some of the rarest and most valuable comic books ever published. The art is crude but serviceable, but the stories are surprisingly political. Rather than fighting super villains or aliens Superman spends more of his time taking on corrupt businessmen and politicians. In one early story he ends a war in Europe by kidnapping an arms maker and forcing him to fight in the trenches. After his experience he swears never to make weapons again. This is a Superman who takes on the real issues of his time, and while the solutions are simplistic his goals are a lot more impressive than stopping bank robbers or killer robots. An early super villain, the Ultra Humanite, puts in a appearance but even his plot is centered around labor unrest rather than death rays. This is a fascinating look into the history of American comics. politics and popular culture. I recommend it to anyone with an interest in those subjects.
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Reviewed in the United States on June 26, 2011
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Adam Graham
Grantham, US
★★★★★ 4
The Menacing Man of Steel
Format: Paperback
This story tracks Superman's first fifteen stories beginning with Action Comic #1 through Action Comics #13 and also includes the New York World's Fair Comics #1 story and a few pages that Superman #1 added to its reprints of the stories in Action Comics #1-#4. These fourteen stories features Superman as defender of the weak against a variety of foes including munitions dealers who Jerry Siegel charged with starting wars to line their own pockets, heartless mine owners, gangsters, and slum lords. Superman's tactics were far rougher than they would become as Superman became a little more mild during the 1940s. Superman,like Batman struck fear in the hearts of criminals. Though Batman needed a cool name and a scary costume, all Superman needed to was to keep dropping and catching suspects until they talked. Superman's rough edge would begin to get out of line. In Action Comics #8, he decided to solve the problem of slums by tearing them down forcing the government to rebuild as they had during recent hurricanes. The police responded by putting a warrant out for him for understandable reasons. From here, Siegel made Superman even more forceful culminating in Action Comics #11 which sees the Man of Steel declare war on "Reckless Drivers." Declaring war involves forcibly seizing control of a radio station to broadcast a warning and then destroying all the automobiles in the police impound lot, among other very destructive acts. The stories serve as an almost cautionary tale of the danger of someone with unstoppable and no humility. It reflects the brashness of a 23-24 year old writer. Thankfully Superman would grow in the 1940s into a character that inspired by hope than by fear. However, despite the more menacing Superman in this book, there are some fun stories in here. My Absolute favorite is Action Comics #6 which features an agent pretending to represent Superman and selling merchandising rights for the Man of Steel, which turned out to be prophetic of the merchandising machine Superman would become. Action Comics #7 features another story of Superman helping out somebody whose just in trouble and needs help. Action Comics #13 introduces the Ultra-Humanite, the first real supervillain, though we only get to meet him briefly. Overall, this is great for adult Superman collectors who want to read all of his stories. For kids, I'd probably recommend Superman in the Forties for a more balanced look at the Man of Steel.
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Reviewed in the United States on October 26, 2013

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