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Description
elephant bush succulent indoor care Elephant Bush Succulent PlantBotanical Name: Portulacaria afra Common Names: Elephant Bush Dwarf Jade Porkbush Spekboom Mini Jade Plant The Portulacaria afra 'Elephant Bush' delights with its vibrant green, perfectly round succulent leaves that create a lush, tree like appearance while requiring virtually no care to thrive. This charming South African native features thick, glossy jade green leaves densely packed along sturdy brown stems, creating an adorable miniature tree
Botanical Name: Portulacaria afra
Common Names: Elephant Bush • Dwarf Jade • Porkbush • Spekboom • Mini Jade Plant
The Portulacaria afra 'Elephant Bush' delights with its vibrant green, perfectly round succulent leaves that create a lush, tree-like appearance while requiring virtually no care to thrive. This charming South African native features thick, glossy jade-green leaves densely packed along sturdy brown stems, creating an adorable miniature tree effect that brings year-round greenery and natural sculptural beauty to any indoor space with remarkable drought tolerance.
This exceptional drought-tolerant beauty combines vibrant green elegance with unmatched low-maintenance care, making it perfect for busy plant lovers, beginners, frequent travelers, or anyone seeking a resilient plant that thrives on neglect. Enjoy year-round lush green foliage that stores water efficiently while maintaining its charming tree-like form - all with complete confidence around your beloved pets and family members.
Complete Care Guide
Light Requirements ▼
- Bright, indirect light promotes healthy, vibrant green growth
- South or west-facing windows provide ideal growing conditions
- Tolerates direct sunlight and adapts to various light levels
- Some direct sun enhances the glossy green leaf color
- Extremely adaptable to lower light conditions indoors
Watering Instructions ▼
- Water deeply but infrequently - allow soil to dry completely
- Extremely drought-tolerant and thrives on neglect
- Can survive weeks without water once established
- Overwatering is the only real threat to this hardy succulent
- Water even less frequently in winter months
Humidity & Temperature ▼
- Low humidity: 30-50% - thrives in dry conditions
- Temperature range: 65-85°F (18-29°C) with excellent heat tolerance
- Tolerates dry indoor air exceptionally well
- No special humidity requirements needed
- Avoid temperatures below 50°F (10°C)
Potting & Fertilizing ▼
- Use well-draining cactus/succulent potting mix
- Ensure excellent drainage with pots that have drainage holes
- Feed sparingly - monthly during growing season only
- Prefers to be slightly root-bound for best growth
- Repot only when severely overcrowded, every 3-4 years
Propagation & Maintenance ▼
- Incredibly easy to propagate from stem or leaf cuttings
- Cuttings root quickly in dry soil or even just sitting on top
- Can be pruned and shaped like a bonsai tree
- Remove any dead or yellowing leaves as needed
- Fast-growing and extremely forgiving of mistakes
Styling Ideas for Your Elephant Bush
Bonsai Styling
Perfect for pruning and shaping into miniature trees
Succulent Gardens
Beautiful centerpiece for drought-tolerant collections
Bright Windowsills
Thrives in sunny spots where other plants struggle
Low-Water Displays
Perfect for busy lifestyles and frequent travelers
Shipping & Potting Information
Your plant ships in its current nursery pot and will need to be repotted into a decorative container of your choice. The beautiful ceramic pot shown in the product images is for styling inspiration only and is not included with your purchase. This allows you to select the perfect decorative pot that matches your home's unique style and décor.
Frequently Asked Questions
How is Elephant Bush different from Jade Plant?
While they look similar, Elephant Bush has smaller, rounder leaves and grows faster than traditional Jade plants. It's also more drought-tolerant and easier to care for, making it perfect for beginners who want the jade plant look with even less maintenance.
Can I really neglect this plant?
Yes! Elephant Bush is one of the most forgiving plants you can own. It actually prefers to be forgotten about and can survive weeks without water. The biggest mistake people make is overwatering - this plant thrives on neglect.
Can I shape it like a bonsai tree?
Absolutely! Elephant Bush is excellent for bonsai-style pruning and shaping. It responds well to trimming and can be trained into beautiful miniature tree forms. Regular pruning encourages bushier growth and maintains the desired shape.
Is this plant safe around pets and children?
Yes! Portulacaria afra is completely non-toxic to cats, dogs, and humans, making it a perfect worry-free choice for families who want to enjoy its vibrant green foliage and low-maintenance beauty safely throughout their home.
How fast does Elephant Bush grow?
Elephant Bush is a relatively fast-growing succulent that can develop into a substantial plant within a year or two with proper care. Its quick growth makes it very satisfying for beginners who want to see results relatively quickly.
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4.6 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt)
Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others.
The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it.
The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange).
The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble.
For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows.
Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring.
Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters.
In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies.
At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn.
The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do.
As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable.
In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005