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aloe vera plant phoenix

aloe vera plant phoenix Buy Dawe's Aloe Phoenix, AZ | Aloe dawei

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Description

aloe vera plant phoenix Buy Dawe's Aloe Phoenix, AZ | Aloe daweiPhoenix's Boldest Red Flowering Succulent for Desert Gardens Dawe's Aloe (Aloe dawei) is one of the most striking medium sized aloes you can grow in the Phoenix Valley. Reaching 24 feet tall and 25 feet wide, this East African native forms lush green rosettes crowned by tall spikes of bright red orange flowers from winter through spring. It thrives in full sun, laughs at triple digit heat, and needs almost no supplemental water once established.

Phoenix's Boldest Red-Flowering Succulent for Desert Gardens

Dawe's Aloe (Aloe dawei) is one of the most striking medium-sized aloes you can grow in the Phoenix Valley. Reaching 2–4 feet tall and 2–5 feet wide, this East African native forms lush green rosettes crowned by tall spikes of bright red-orange flowers from winter through spring. It thrives in full sun, laughs at triple-digit heat, and needs almost no supplemental water once established. Whether you're building a hummingbird garden in Scottsdale, adding sculptural interest to a Chandler xeriscape, or creating a low-water border in Mesa — Dawe's Aloe delivers bold color with minimal effort.

Dawe's Aloe Plant Details

Attribute Detail
Scientific Name Aloe dawei
Common Names Dawe's Aloe
Mature Height 2–4 feet
Mature Width 2–5 feet
Growth Rate Moderate — 6–12 inches per year in Phoenix
Sun Full sun (6+ hrs). Handles reflected heat from walls.
Water Low once established. Highly drought-tolerant.
USDA Zones 9–11 (Phoenix is Zone 9b–10a)
Soil Well-draining. Adapts to Arizona caliche soils.
Foliage Evergreen — stays green year-round
Bloom Color Bright red-orange, winter to spring
Attracts Hummingbirds, bees, butterflies

Dawe's Aloe Uses in Phoenix Landscapes

Hummingbird & Pollinator Gardens

The tall red-orange flower spikes are a beacon for hummingbirds throughout winter and spring — the exact months when desert nectar sources are scarce. Plant in groups of 3–5 for maximum pollinator impact. Pair with Red Bird of Paradise and Chuparosa for year-round hummingbird activity.

Xeriscape Focal Points

Dawe's Aloe's dense, symmetrical rosettes create strong architectural form even when not in bloom. Use a single specimen as a centerpiece in a gravel courtyard or mass-plant along a low wall for a dramatic succulent border. Pairs well with Desert Spoon and Blue Elf Aloe for layered texture.

Pool-Friendly Landscapes

No messy leaf drop, no invasive roots, and thornless enough for poolside planting. The evergreen rosettes look clean and tropical year-round, and the winter blooms add a splash of warm color when most poolside plants are dormant.

Best Time to Plant Dawe's Aloe in Phoenix

Fall (October–November) is the ideal planting window. Soil is still warm enough for rapid root establishment, cooler air reduces transplant stress, and the plant gets 6–8 months of root growth before its first Phoenix summer. Spring (February–April) is the second-best option. Avoid planting in peak summer if possible.

How to Plant Dawe's Aloe

  1. Dig wide, not deep — 2–3× the root ball width, same depth.
  2. Check for caliche — break through any hardpan layer for drainage.
  3. Backfill with native soil — a light 20% organic blend is fine.
  4. Spacing — 3 ft apart for mass planting; 4–5 ft for individual specimens.
  5. Water basin — build a 3–4 inch ring to direct water to roots.
  6. Mulch — 2–3 inches of gravel mulch to retain moisture and suppress weeds.

Watering Dawe's Aloe in Phoenix

First Year Watering Schedule

  • Weeks 1–2: Every 1–2 days, deep and slow (20–30 min)
  • Month 1–2: Every 3–4 days
  • Month 3–6: Every 7–10 days (5–7 days in peak summer)
  • After Year 1: Every 10–14 days summer; every 3–4 weeks winter

Drip Irrigation

Place one 2 GPH emitter 12–18 inches from the trunk. For 15-gallon specimens, use two emitters on opposite sides. Established plants in the ground may survive on rainfall alone in mild winters.

How fast does Dawe's Aloe grow in Phoenix?
Expect 6–12 inches of new growth per year in full sun with regular water. A 1-gallon plant can reach full 3–4 ft size in about 3–4 years.

Is Dawe's Aloe drought tolerant once established?
Yes. Once the root system is developed (typically after one full year), Dawe's Aloe needs very little supplemental water — every 10–14 days in summer and almost nothing in winter.

Can Dawe's Aloe handle Phoenix summer heat?
Absolutely. It thrives in full sun and tolerates reflected heat from walls and concrete. Some afternoon shade in the hottest inland areas (Buckeye, Goodyear) can keep leaf color at its best.

Does Dawe's Aloe attract hummingbirds?
Yes — the bright red-orange blooms are highly attractive to hummingbirds, especially from December through March when other nectar sources are limited.

You May Also Like

  • Blue Elf Aloe — Compact blue rosettes with orange blooms, perfect for smaller spaces.
  • Cape Aloe — Dramatic tree-form aloe reaching 6–10 feet with coral-red flowers.
  • Ghost Aloe — Silvery-blue rosettes with striking orange blooms, loves full sun.
  • Gold Tooth Aloe — Compact, fast-growing aloe with golden-toothed leaf margins.
  • Popcorn Aloe — Unique bumpy-textured leaves with tall orange flower spikes.

How Many Dawe's Aloe Do I Need?

Dawe's Aloe is a clumping medium aloe (2 to 5 ft wide) that reads best in odd-numbered groups of 3 to 5 for a pollinator drift, or as a single rosette accent. For a low succulent border along a wall or path, set plants about 3 ft on center. Use the spacing guide below to estimate counts.

Run Length Plants Needed (at 3 ft spacing)
9 ft 3 plants
15 ft 5 plants
30 ft 10 plants
45 ft 15 plants

Dawe's Aloe Season-by-Season in Phoenix

  • Spring (Feb to Apr): Peak of the red-orange bloom, alive with hummingbirds, bees, and butterflies. New rosette growth and offsets fill in. A strong second planting window once frost risk passes.
  • Summer (May to Sep): Loves the heat and reflected warmth off walls. In the hottest inland west-facing spots, a little afternoon shade keeps leaf color at its best. Monsoon rain is welcome with fast drainage. Water every 10 to 14 days.
  • Fall (Oct to Nov): The ideal planting window. Warm soil drives root growth before winter, and bloom spikes begin to rise late in the season.
  • Winter (Dec to Jan): Main bloom season and a key winter nectar source. Evergreen rosettes stay green, but this East African aloe is frost-tender: leaves can scorch below about 30°F, so cover plants on hard-freeze nights or site them under eaves or near a warm south wall.

At a Glance

✔ Hummingbird-Friendly   ✔ Pollinator-Friendly   ✔ Heat-Loving (Reflected-Heat Tolerant)   ✔ Drought-Tolerant   ✔ Pool-Friendly (Low-Litter)   ✔ Evergreen   ✔ Low-Maintenance   ✔ Deer & Rabbit-Resistant

Plant It With

  • Blue Elf Aloe: compact blue rosettes with orange blooms that layer in front of Dawe's Aloe.
  • Cape Aloe: a tall tree-form aloe that adds vertical drama behind a Dawe's grouping.
  • Ghost Aloe: silvery-blue rosettes with orange blooms for cool-toned contrast.
  • Popcorn Aloe: bumpy-textured leaves and tall orange spikes that extend the bloom show.

Is Dawe's Aloe Right for Your Yard?

Dawe's Aloe thrives in full sun (with light afternoon shade in the hottest inland yards), in fast-draining or amended caliche soil, where you want a clean poolside-safe rosette and a winter-to-spring hummingbird magnet. It is one of the best mid-size bloom aloes for the Valley. It is not a fit if your site sees regular hard freezes below 30°F without protection: this East African aloe is frost-tender and will scorch in an unprotected cold snap.

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Sarah Pettingill
Omaha, US
★★★★★ 5
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I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Pawtucket, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Phoenix, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Belleville, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Phoenix, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011

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