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Description
magic beans cybex sirona Cybex Sirona S 360 Rotational Convertible Car Seat with SensorSafe – Swaddles BabyThe CYBEX Sirona S is the only Convertible Car Seat in the U. S. to feature an innovative 360 rotatable seat with load leg stability, linear side impact protection, and SensorSafe technology. The rotating feature makes it super easy to get your child in and out, and also convenient for switching between rear facing and forward facing positions. The load leg helps decrease rotation of the car seat while the side impact protection system absorbs impact
The CYBEX Sirona S is the only Convertible Car Seat in the U.S. to feature an innovative 360° rotatable seat with load leg stability, linear side impact protection, and SensorSafe™ technology. The rotating feature makes it super easy to get your child in and out, and also convenient for switching between rear-facing and forward-facing positions. The load leg helps decrease rotation of the car seat while the side impact protection system absorbs impact forces in certain crashes. Built into the chest clip, SensorSafe provides app alerts when potential unsafe situations arise. These features offer advanced safety protection for children and greater peace of mind for parents.
Specifications
- Innovative, one-hand 360° rotatable seat allows parents to easily get their child in and out.
- Load leg stabilizes the car seat and can reduce rotation in certain crashes by up to 30%.
- Only Convertible Car Seat in North America with a one-time vehicle belt installation for both rear-facing and forward-facing mode.
- EasyLock™bar reduces force needed for quick, simple, and secure installation.
- Smart-tech harness chest clip with SensorSafe™technology uses a Bluetooth enabled chest clip to send mobile app alerts to parents if their child becomes unbuckled, the car temp gets too warm, or unsafe situations arise.*
- 12-position recline adjustment even while the seat is in use.
- Linear Side-impact Protection absorbs up to 25% more impact in a collision (when compared to the same car seat without L.S.P. extended).
- Anti-rebound design reduces car seat rebound movement.
- Magnetic buckle holders make entry and exit from the seat a breeze.
- Dishwasher-safe cup holder can be positioned on either side of the seat.
- 12-position, height-adjustable headrest with a no-rethread harness.
- Dual-level indicators help ensure the proper car seat angle.
- Steel reinforced frame provides strength and durability.
- Harness pads and a 3-position padded buckle provide extra comfort.
- Removable newborn insert provides support for small babies.
- Innovative one-pull LATCH removal system.
- LATCH Connection storage inside the base when not in use.
- Rear-facing from 4 lbs. to 50 lbs. Forward-facing from 22 lbs. to 65 lbs.
- 2 Year Warranty
*SensorSafe is compatible with most vehicles 2008 or newer with an OBD II port. For some electric vehicles, contact CYPBEX as an additional adapter may be needed.
Dimensions & Weight
-
30” D x 19” W x 24” H
- 30.4 lbs.
- Use from birth up to 65 lbs. or 49 inches, following the directions in your user manual
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.1 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001