SKU: 81122494598
philodendron sanguineum

philodendron sanguineum Philodendron squamiferum 4" Plant – Jungle Relics

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Description

philodendron sanguineum Philodendron squamiferum 4" Plant – Jungle RelicsA striking blend of elegance and wild charm, Philodendron squamiferum is a true collectors delight, celebrated for its dramatically lobed foliage and uniquely fuzzy, red haired petioles. With each new leaf unfurling in a deep emerald green, this rare aroid evokes the look of a tropical oak leafwith five distinct lobes that add architectural flair to any plant collection. But its the vibrant red petioles, covered in soft bristle like hairs (known as

 A striking blend of elegance and wild charm, Philodendron squamiferum is a true collector’s delight, celebrated for its dramatically lobed foliage and uniquely fuzzy, red-haired petioles. With each new leaf unfurling in a deep emerald green, this rare aroid evokes the look of a tropical oak leaf—with five distinct lobes that add architectural flair to any plant collection. But it’s the vibrant red petioles, covered in soft bristle-like hairs (known as pubescence), that steal the show, adding a textural surprise that’s both tactile and visually captivating.

Native to the humid rainforests of South America, Philodendron Squamiferum is a climbing hemiepiphyte, meaning it loves to grow up and out—making it perfect for moss poles or trellises. With time and care, this beauty becomes a dramatic vertical specimen that brings both sophistication and a touch of the wild jungle indoors.

Why You’ll Love It: 💚

  • Fuzzy Red Stems: Covered in soft, velvety hairs that create an unexpected contrast to the glossy green leaves.
  • Dramatic Leaf Shape: Deeply lobed, long-lasting leaves that change form and size as the plant matures.
  • Vertical Jungle Vibes: A natural climber that thrives when given room to rise.

Plant Care FAQs: 🪴

  • Plant Type: Chill
  • Plant Vibe: Textural Drama
  • Botanical Name: Philodendron squamiferum
  • Common Name: Red Bristle Philodendron
  • Growth Habit: Climbing hemiepiphyte
  • Mature Size: Can reach 6–8 feet indoors with proper support
  • Soil Type: Well-draining mix with a balance of organic matter and aeration (peat, perlite, bark)
  • Soil pH: Slightly acidic to neutral (5.5–6.5)
  • Temperature: Prefers 65–85°F; sensitive to cold temperatures below 55
  • Light Requirements: Enjoys bright, indirect light. While it can tolerate lower light levels, insufficient light may slow growth and diminish its vibrant green hues. Avoid direct sunlight, which can scorch its delicate leaves.
  • Watering: Keep soil evenly moist, but never soggy; allow the top 1–2 inches to dry slightly between waterings
  • Humidity Requirements: Thrives in high humidity (60–80%)
  • Fertilizer: Use a balanced liquid fertilizer every 4–6 weeks during the growing season
  • Toxicity: Toxic to pets and humans if ingested. Keep it out of reach of curious children and animals.

🏆 Pro Care Tip: To encourage larger leaves and a robust growth habit, provide a moss pole or stake early on. The fuzzy petioles can collect dust—gently brush or rinse occasionally to keep them clean. Mist regularly or use a pebble tray for added humidity.


Plant Styling Tip: Let Philodendron squamiferum climb a rustic moss pole in a matte black or natural clay pot to contrast the fuzzy red petioles and glossy green leaves. Ideal for vertical garden walls or corner statement plants.

Tea Pairing: Enjoy a cup of Hibiscus Rose Tea while admiring your Philodendron squamiferum—the tart floral notes echo the bold, yet delicate nature of this exotic beauty.

Whether you’re deepening your aroid collection or just beginning your plant journey, Philodendron squamiferum adds texture, personality, and a touch of red-haired whimsy to any space.

⚠️ Please note: The plant you receive may not be the exact one pictured, but it will be of the same type and size. Each plant is unique! Expect natural variation in color, leaf shape, and size. Cosmetic blemishes are normal and do not impact plant health.

🚫 We do not accept returns or exchanges. Please review our shop policies before purchasing.

 We guarantee live arrival and take pride in securely packing every order. Reach out anytime with questions—we’re happy to help!

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Reviewed in the United States on April 20, 2009
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San Leandro, US
★★★★★ 5
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There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
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M. J. Smith
Battle Creek, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
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I X Key
New York, US
★★★★★ 1
very droll
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I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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