SKU: 86261496065
red dracaena reflexa

red dracaena reflexa Dracaena Marginata 'Red'

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Description

red dracaena reflexa Dracaena Marginata 'Red'Plant Description: Elevate your space with the striking beauty of the Dracaena Marginata 'Red' from Lakewood Plant Company, a captivating variety of the popular Dracaena family. Originating from Madagascar, this Dracaena Marginata commands attention with its vibrant red edged leaves and bold presence. Whether showcased in homes, offices, or contemporary interiors, it's not just a plant; it's a focal point that adds drama and personality to any room.

Plant Description:

Elevate your space with the striking beauty of the Dracaena Marginata 'Red' from Lakewood Plant Company, a captivating variety of the popular Dracaena family. Originating from Madagascar, this Dracaena Marginata commands attention with its vibrant red-edged leaves and bold presence. Whether showcased in homes, offices, or contemporary interiors, it's not just a plant; it's a focal point that adds drama and personality to any room.

Bold Statement:

Experience the boldness of the Dracaena Marginata 'Red', a standout plant that makes a statement in any setting. Its eye-catching foliage adds a pop of color and creates visual interest, making it a conversation piece and a stunning addition to your decor.

Care Tips for a Happy Dracaena Marginata 'Red':

  • Adaptable Growth: Flourishes in a variety of containers, from small pots to larger planters, making it suitable for any indoor space. Its dramatic foliage adds a touch of flair to both modern and traditional interiors.
  • Light Requirements: Prefers bright, indirect light but can tolerate lower light conditions. Avoid direct sunlight, which may cause leaf scorching.
  • Watering Needs: Allow the soil to dry out slightly between waterings, then water thoroughly. Avoid overwatering, as Dracaena Marginata 'Red' is susceptible to root rot.

Dracaena Marginata 'Red' Well-Being Signals:

  • Yellowing Leaves: Indicates overwatering or underwatering; adjust watering habits accordingly.
  • Brown Tips on Leaves: Result of low humidity or fluoride toxicity in water; increase humidity levels or use distilled water.
  • Slow Growth: Normal for Dracaena Marginata 'Red', as it takes its time to establish and grow into its bold form.

Pet Friendliness:

Create a pet-friendly environment with the Dracaena Marginata 'Red', which is non-toxic to pets and safe for households with animals.

Common Pests and Problems:

While generally resistant to pests and diseases, keep an eye out for spider mites and scale insects. Treat promptly with insecticidal soap if infestation occurs.

FAQ:

Is the Dracaena Marginata 'Red' easy to care for?

Yes, the Dracaena Marginata 'Red' is known for its low-maintenance nature, making it suitable for both beginner and experienced indoor gardeners.

How tall can the Dracaena Marginata 'Red' grow?

Dracaena Marginata 'Red' can reach heights of up to 5 to 8 feet indoors, adding vertical interest and a bold splash of color to your space.

Can I prune my Dracaena Marginata 'Red'?

Yes, occasional pruning can help maintain its shape and remove any dead or damaged foliage, promoting healthy growth and enhancing its striking appearance.

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SKU: 86261496065

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4.0 ★★★★★
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Verified Purchase
Tahoeman
Los Angeles, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Draper, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Fort Morgan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lexington, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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