SKU: 87284184445
green aglaonema plant

green aglaonema plant Aglaonema (Commutatum) Pearl – Dream Green

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Description

green aglaonema plant Aglaonema (Commutatum) Pearl – Dream GreenAglaonema Pearl Product Specifications Pot Diameter: 4" Pot Height: 4" Plant Height above Pot: 6" 10" Growing Medium: Enriched Cocopith (Cocopith with NPK) Product Weight: 250 grams Plant Specifications Other Name(s): Chinese Evergreen Type: Indoor Plant Sunlight Requirements: Thrives indoor when placed in indirect bright sunlight. Watering: Once in 3 5 days when the potting medium is dry. Fertilising: Fertilise with NPK based fertiliser once in 15 20

Aglaonema Pearl

Product Specifications

Pot Diameter: 4"
Pot Height: 4"
Plant Height above Pot: 6"-10"
Growing Medium: Enriched Cocopith (Cocopith with NPK)

Product Weight: 250 grams

 

Plant Specifications

Other Name(s): Chinese Evergreen
Type: Indoor Plant
Sunlight Requirements: Thrives indoor when placed in indirect bright sunlight.
Watering: Once in 3-5 days when the potting medium is dry.
Fertilising: Fertilise with NPK based fertiliser once in 15-20 days to keep maintain the fresh and healthy plant. 
Pruning: No pruning required. Baby shoots can often be found near the mother plant. You can repot them into a new pot without damaging the roots. 
Repotting: Repot into a pot larger by 2-3 inches after 10-12 months if the plant over grows current pot.

 

Know your plant

Aglonema Cutlass has the most unique foliage among the Aglonema family. Their leaves are narrow unlike the broad flat leaf structure of the others in the Aglonema family.
Aglonema plants are colourful houseplants with a each variety of Aglonema having unique foliage.
They are known for their splash of colours on the foliage. They are one of the easiest house plants to grow. They can thrive in the tropical Indian climate without any fuss. 

 

Benefits

Air purifiers: These plants are known to be excellent air purifiers as proven beyond doubt by NASA researches. They remove various toxins from the air and improve air quality by emitting oxygen.
SAM-free: We use a special weightless SAM (Soil and manure free) mix. It has a superior drainage prevents plants dying due to overwatering. Also, pest attacks are rare in our potting mix.

 

Tips

Watering: Make sure you water the plant only when the potting medium is slightly dry. 
Sunlight: Make sure the plant gets adequate bright indirect light, but not direct sunlight. 

 

Common Problems and Solutions:

Root rot: This happens when the plant is overwatered. Root rot is the most common issue faced by new plant parents. People tend to over water indoor plants like they would water outdoor plants or gardens. Also, make sure the pot has proper drainage holes to allow excess water flow out.
Mealy Bugs: These are found of the foliage and stems of indoor plants during hot days. They generally are transmitted from outdoor plants. The only solution is to manually wipe them off with a wet cloth. 
Crispy Brown Leaves: When the plant is exposed to direct sunlight the heat burns the leaves and they turn crispy and brown in colour. Make sure the plant is placed in shade/ indoor where it gets only bright indirect sunlight and not direct sunlight.
Brown Tips: This occurs when the plant lacks nutrients/ light. Place the plant in bright indirect sunlight and feed them with NPK based nutrients.

Soggy leaves: The leaves turn soggy when the plant is over watered. Cut off the leaves if they are beyond retrievable. Check for excess water stored in pot.

https://www.youtube.com/watch?v=Lwir7jDwOnc

HAPPY PLANT PARENTING!!

Disclaimer: Actual plant may have slight variations from what is shown in the image since each individual plant has its own appearance. 

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SKU: 87284184445

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Trendy Chic
Draper, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Birmingham, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Fort Morgan, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Natrona Heights, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Houston, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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