SKU: 941755725
maxi cosi pebble base

maxi cosi pebble base Maxi-Cosi Pebble 360 & Family Fix 360 Base Bundle Essential Graphite

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Description

maxi cosi pebble base Maxi-Cosi Pebble 360 & Family Fix 360 Base Bundle Essential GraphiteThis bundle includes the Maxi Cosi Pebble 360 Car Seat and the Family Fix 360 ISOFIX base. Maxi Cosi Pebble 360 Car Seat The Maxi Cosi Pebble 360 in Essential Graphite is a 360 degree, swivelling car seat suitable from birth up to approximately 15 months, so you can pop your newest addition in it the minute you leave the hospital! It rotates super smoothly with FlexiSpin technology on the Maxi Cosi FamilyFix base included in this bundle, and can be

This bundle includes the Maxi-Cosi Pebble 360 Car Seat and the Family Fix 360 ISOFIX base.

Maxi-Cosi Pebble 360 Car Seat

The Maxi-Cosi Pebble 360 in Essential Graphite is a 360-degree, swivelling car seat suitable from birth up to approximately 15 months, so you can pop your newest addition in it the minute you leave the hospital! It rotates super-smoothly with FlexiSpin technology on the Maxi-Cosi FamilyFix base included in this bundle, and can be turned using only one hand. Perfect for busy parents who always have their hands full!

The Pebble 360 also features an Easy-In harness function which holds the seat harness out of the way so that your little one can come and go with ease. Not only is the Pebble 360 practical, it's comfortable too. With ClimaFlow technology, the Pebble 360 helps regulate your baby's temperature to keep them comfortable and the soft Baby-hugg inlay and breathable foam and fabrics will ensure your baby is snug at all times.  

In addition to being cosy and convenient, the Maxi-Cosi Pebble also 360 boasts impressive safety features to give you peace of mind when you're on the road. The Pebble 360 adheres to the highest i-Size safety standard and sports G-Cell Side Impact Technology which keeps your baby safe in the event of a side-on collision.   

The Maxi-Cosi Pebble 360 Car Seat in Essential Graphite is also compatible with the Maxi-Cosi FamilyFix 360 ISOFIX base, included in this bundle. The intuitive design of the Maxi-Cosi Pebble 360 enables it to click securely and effortlessly onto the FamilyFix 360 rotating base. No more frustrating fumbling in the back of the car, just a clever design that makes your life easier. 

With safety covered, easy access and a one-hand rotation, the Pebble 360 is the ultimate convenient solution for you and your baby, from day one.

Maxi-Cosi Family Fix 360 Isofix Base

The Maxi-Cosi Family Fix 360 boasts FlexiSpin technology which makes the base rotate in any reclined position, and thanks to the handle on the base, this can be achieved using only one hand- ideal for busy parents who never have enough hands!

Visual indicators and audio feedback on the base notify you when your car seat is correctly installed and the anti-misuse rotation lock gives peace of mind, allowing your baby to travel in the rearward-facing position up to approx. 15 months.

Browse our full range from Maxi-Cosi to find even more amazing i-Size car seats for convenient and comfortable travel wherever your family goes.

Key Features

  • 360° swivelling seat 
  • FlexiSpin, one-hand rotation
  • ClimaFlow comfort temperature regulation
  • G-Cell Side Impact Protection 
  • Easy-in harness
  • i-Size safety
  • Belted or ISOFIX installation
  • TravelSafe rotation control
  • Click&Go installation
  • ISOFIX installation with support leg

Specifications

Seat Weight: 4.3kg

ISOFIX Base Weight: 7.9kg

Seat unit age suitability: from birth to 15 months (approx.)/ 40-83cm

ISOFIX base age suitability: rearward and forward facing from birth-4 years (approx.)


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SKU: 941755725

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4.5 ★★★★★
Based on 29 reviews
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T
Verified Purchase
Tahoeman
Dallas, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lexington, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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