SKU: 94198409650
monstera deliciosa uk

monstera deliciosa uk 160

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Description

monstera deliciosa uk 160Monstera Deliciosa Swiss Cheese Plant Monstera deliciosa, affectionately known as the Swiss Cheese Plant, is one of the most iconic and best loved houseplants in the world. Native to the tropical rainforests of Central America, it is prized for its large, glossy green leaves with characteristic splits and perforations that give it a dramatic, jungle inspired look. The name deliciosa refers to the edible fruit it can produce in ideal conditions,

🌿 Monstera Deliciosa — Swiss Cheese Plant

Monstera deliciosa, affectionately known as the Swiss Cheese Plant, is one of the most iconic and best-loved houseplants in the world. Native to the tropical rainforests of Central America, it is prized for its large, glossy green leaves with characteristic splits and perforations that give it a dramatic, jungle-inspired look. The name deliciosa refers to the edible fruit it can produce in ideal conditions, although this is rare indoors. A natural climber, Monstera deliciosa grows by sending out aerial roots and can reach impressive sizes when supported on a moss pole or coir totem. Fast-growing, easy-going, and incredibly striking, it brings bold texture and lush greenery to any indoor space — perfect for beginners and collectors alike.


☀️ Light Requirements

  • Indoors: Prefers bright, indirect light. Will tolerate medium light but may develop fewer splits.

  • Direct sun: Avoid harsh midday sun, which can scorch the leaves.

  • Low light: Will survive, but growth will slow and new leaves may remain small or solid.


🌡️ Temperature & Humidity

  • Ideal temperature: 18–28°C (65–82°F)

  • Minimum temperature: Keep above 15°C (59°F)

  • Humidity: Thrives in moderate to high humidity, but adapts well to normal household levels. Misting or a humidifier will encourage larger leaf development.


💧 Watering Needs

  • Watering frequency: Water when the top 5 cm of soil feels dry. Water thoroughly and allow excess to drain.

  • Winter: Reduce watering as growth naturally slows.

  • Tip: Avoid letting the plant sit in soggy soil to prevent root rot.


🪴 Soil & Repotting

  • Soil type: Well-draining, aerated mix. A blend of houseplant compost, orchid bark, and perlite is ideal.

  • pH: Slightly acidic to neutral (5.5–7.0)

  • Repotting: Every 1–2 years or when rootbound. Spring is the best time to repot.


🌱 Feeding

  • Growing season (spring–summer): Feed every 4 weeks with a balanced liquid houseplant fertiliser.

  • Autumn–winter: Reduce feeding or pause during dormancy.


✂️ Pruning & Maintenance

  • Pruning: Trim leggy stems or control size as needed. Always cut just above a node.

  • Leaf care: Wipe with a damp cloth to remove dust and enhance its glossy appearance.

  • Support: Provide a moss pole or stake to encourage upright, mature growth.


🌾 Propagation

  • Stem cuttings: Take a cutting with at least one node and root it in water or moist soil.

  • Aerial roots: Can be included in the cutting for faster establishment.


🐛 Pests & Problems

  • Common pests: Mealybugs, spider mites, and scale.

  • Symptoms: Yellowing leaves, sticky residue, or webbing.

  • Treatment: Wipe down affected areas and treat with neem oil or insecticidal soap.

  • Common issues:

    • Brown leaf edges: Often caused by low humidity or inconsistent watering.

    • Yellowing lower leaves: Usually natural ageing or a sign of overwatering.


🧤 Toxicity & Safety

  • Toxicity: Toxic to pets and humans if ingested. Contains calcium oxalates that can cause irritation.

  • Precaution: Keep out of reach of small children and animals.


🏡 Indoor Care Highlights

  • A tropical, low-maintenance classic that makes a big visual impact with minimal fuss.

  • Perfect for living rooms, offices, and bright corners — especially in statement planters.

  • Pairs beautifully with other jungle-style plants like Philodendron, Calathea, or Ficus elastica.

  • Fast-growing and highly rewarding — ideal for both beginners and seasoned plant parents.

  • A must-have centrepiece for any indoor jungle collection.

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David R. Papke
Chelsea, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Draper, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Bozeman, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
San Leandro, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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