SKU: 98942193648
pre-emergence herbicides

pre-emergence herbicides Lesco Fertilizer Plus Pre Emergent Herbicide 13-0-5

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Description

pre-emergence herbicides Lesco Fertilizer Plus Pre Emergent Herbicide 13-0-5This product provides "pre emergence" control of crabgrass (including the large, smooth, and southern species) when applied prior to the emergence of crabgrass from the ground in established lawns and ornamental turfs. It can also provide "early post emergence" control of crabgrass during the early stages of crabgrass growth after the crabgrass has emerged from the ground However, it is often difficult to see the very small, early stages of crabgrass

This product provides "pre-emergence" control of crabgrass (including the large, smooth, and southern species) when applied prior to the emergence of crabgrass from the ground in established lawns and ornamental turfs. It can also provide "early post-emergence" control of crabgrass during the early stages of crabgrass growth after the crabgrass has emerged from the ground

However, it is often difficult to see the very small, early stages of crabgrass in well-established lawns and ornamental turfs. Post-emergence crabgrass control will be obtained only when this product is applied prior to the tillering of crabgrass, which generally corresponds to the time when you can first easily see the crabgrass plants in the lawn or turf.

So the practical benefit of this product's additional, early post-emergence activity is that (compared to strictly pre-emergence crabgrass products), Dimension controls crabgrass prior to and up to 4 weeks after germination.

Application Frequency and Timing

This product may be applied as a single application, as a split application, or as a sequential application for crabgrass control in the spring, summer, or fall. DO NOT apply more than 7.65 lb of this product per 1,000 sq ft per application, and no more than 22.95 lb of this product per 1,000 sq ft per year.

Spring Applications

For single applications made in the spring or early summer, this product should be applied at the appropriate rate corresponding to one of the three control programs listed in Table 1 below, depending on the user's location, the turfgrass mowing height, and whether the use is considered to be pre-emergence or early post-emergence at the time of the application.

The duration of residual weed control provided by this product is directly related to the total rate applied, but will vary somewhat depending on weather, weed pressure, turfgrass competitiveness, and the user's location within a region.

Tips for Improved Control

For best results, apply this product within a few days after mowing and delay mowing again for a few days after the application. When treated lawn or ornamental turf areas are watered or receive significant rainfall within a few days after application of this product, improved weed control may result. Use of split (half-rate) applications spaced 6-8 weeks apart may provide improved weed control.

Dimension 13-0-5 Specification Sheet - (Download)

Dimension Label - (Download)

Directions

Use Program #1 for pre-emergence control at sites where the turfgrass is cut high (e.g., homeowner lawns). This program provides 3-5 months of pre-emergence crabgrass control. This program should not be used for early postemergence crabgrass control.

Use Program #2 for pre-emergence control at sites where (a) turfgrass is cut low (e.g., golf fairways), and (b) turfgrass maintenance or weed control has not been conducted during the previous year. This program provides 4-6 months of pre-emergence crabgrass control. This program may also be used for early post-emergence control at sites where turfgrass is cut high (e.g., homeowner lawns).

Use Program #3 for pre-emergence control at sites where (a) turfgrass is cut low (e.g., golf fairways) and (b) turf maintenance or weed control has not been conducted during the previous year. This program provides 4-6 months of pre-emergence crabgrass control.

This program may also be used for early post-emergence control at sites where turfgrass is cut low (e.g., golf fairways). Subsequent, sequential pre- and/or post-emergence applications should be made where longer periods of control are desired. Where split fertilizer applications are recommended, the rates in Table 1 may be split across two applications made 6-10 weeks apart and prior to crabgrass emergence.

Table 1: Recommended Single Application Use Rates*

Program #1
Program #2
Program #3
USE
Pre-emergence
(high-cut turf)
Pre-emergence
(low-cut turf)
Post-emergence
(high-cut turf)
Pre-emergence
(low-cut turf)
Post-emergence
(low-cut turf)
NORTH
1.91 lb/1,000 sq. ft.
2.75 lb/1,000 sq. ft.
3.82 lb/1,000 sq. ft.
TRANSITION
2.75 lb/1,000 sq. ft.
3.82 lb/1,000 sq. ft.
5.66 lb/1,000 sq. ft.
SOUTH
3.82 lb/1,000 sq. ft.
5.66 lb/1,000 sq. ft.
7.65 lb/1,000 sq. ft.
COASTAL SOUTH
5.66 lb/1,000 sq. ft.
7.65 lb/1,000 sq. ft.
7.65 lb/1,000 sq. ft.

*Apply this product with drop or rotary spreaders designed to apply granular herbicides. Avoid the use of spreaders that would apply this product in narrow rows or concentrated bands. Before each application, calibrate the spreader according to the equipment manufacturer's directions for adjusting the spreader settings such that the spreader delivers the appropriate application rate recommended above.

Apply this product uniformly over the lawn or ornamental turf area. A more uniform application can be made by spreading half of the required amount over the area and then applying the remaining half at a right angle to the previous direction. Avoid streaking, skips, or overlaps during application. Check equipment frequently to ensure equipment is functioning properly and applying uniform distribution of granules.

Spreader Settings:

Amount of Product
1.91 lb
2.75 lb
3.82 lb
5.66 lb
7.65 lb
Lesco Spreader Setting
13
12
13
15
17

*IMPORTANT: These settings are only approximate. Age, condition of spreader, and operator speed can cause wide variation. Be sure to calibrate your spreader with each application.

For additional options, be sure to browse our Lesco Lawn Products and Lawn Care collections

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SKU: 98942193648

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4.2 ★★★★★
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Verified Purchase
David R. Papke
Omaha, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lake Worth, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Battle Creek, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Los Angeles, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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